Simple Objects
posted by Ed at 9/23/2013
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Monday, September 23, 2013
Sunday, September 22, 2013
Tuesday, September 06, 2011
Untitled: Bauwerke Series
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| Paint & charcoal on wood panel - 12” x 10.375” |
posted by Ed at 9/06/2011
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Untitled: Bauwerke Series
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| Paint & charcoal on wood panel - 14” x 10.5” |
posted by Ed at 9/06/2011
0 comments
Untitled: Bauwerke Series
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| Paint & charcoal on wood panel - 14” x 10.5” |
posted by Ed at 9/06/2011
0 comments
Untitled: Bauwerke Series
 |
| Paint & charcoal on wood panel - 14” x 10.5” |
posted by Ed at 9/06/2011
0 comments
Untitled: Bauwerke Series
 |
| Paint & charcoal on wood panel - 14” x 10.5” |
posted by Ed at 9/06/2011
0 comments
Untitled: Bauwerke Series
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| Paint & charcoal on wood panel - 13.75” x 10.5” |
posted by Ed at 9/06/2011
0 comments
Untitled: Bauwerke Series
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| Paint & charcoal on wood panel - 13.875” x 10.5” |
posted by Ed at 9/06/2011
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Friday, May 12, 2006
Tagging
I like the miniamalist treatment of covering up graffiti in the work hood.
posted by Ed at 5/12/2006
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Friday, May 05, 2006
Michael Leigh
Michael Leigh has a show of landscape paintings up at the Tree House Cafe on Bainbridge Island. He captures the patterns and essence of the Northwest landscape in his paintings through bold and simple brushwork.
posted by Ed at 5/05/2006
1 comments
Thursday, May 04, 2006
Robert Motherwell 1960
DAVID SYLVESTER How clear an idea do you have before you start to paint of what the painting is going to be like?
ROBERT MOTHERWELL Usually not much. More simply, I begin from an impulse, an intense irrational desire that takes you over, prompting you to start moving. And from experience, with some knowledge of what moves oneself, I think it's not altogether arbitrary what one begins with. I mean, I think that any painter would instinctively begin with forms, colors, spatial areas, kinds of format, that in general have been more sympathetic to him that others have been. But certainly implicit partially is the feeling, not the 'I'm going to paint something that I know' but 'through the act of painting I'm going to find out exactly how I feel, both generally and about whatever is specific'.
From "Interviews with American Artists" by David Sylvester
ROBERT MOTHERWELL Usually not much. More simply, I begin from an impulse, an intense irrational desire that takes you over, prompting you to start moving. And from experience, with some knowledge of what moves oneself, I think it's not altogether arbitrary what one begins with. I mean, I think that any painter would instinctively begin with forms, colors, spatial areas, kinds of format, that in general have been more sympathetic to him that others have been. But certainly implicit partially is the feeling, not the 'I'm going to paint something that I know' but 'through the act of painting I'm going to find out exactly how I feel, both generally and about whatever is specific'.
From "Interviews with American Artists" by David Sylvester
posted by Ed at 5/04/2006
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Friday, April 28, 2006
Rectangles
The new neighborhood is filled with warehouses and industrial remnants that will one day be developed into office towers and condos.
posted by Ed at 4/28/2006
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Art Links
- Martin Blank: glass artist
- James Marohn: photographer
- Vincent Romaniello: painter
- Mauro Zamora: painter
Notable Links
Previous Posts
- Simple Objects
- More Objects
- Objects
- Table Top
- Box
- Caffe Ladro Show
- Untitled: Bauwerke Series
- Untitled: Bauwerke Series
- Untitled: Bauwerke Series
- Untitled: Bauwerke Series
